Sarah Templeton as Amelia in Opera Mariposa & Heroic Opera's 2017 production of Un ballo in maschera
PHOTO CREDIT: DIAMOND’S EDGE PHOTOGRAPHY
OPERA AS A COLLABORATIVE, INTEGRATED, COHESIVE, AND FULFILLING ART FORM
With a wide range of experience in many of the various elements that constitute the operatic genre, I strive to create an atmosphere of open communication and collaboration between all of the artists involved in an operatic production, giving as equal a focus to the rehearsal process as to the final product or performance.
I believe that the role of the director is to foster the unique talents of every person involved in the production, so that together we can achieve a greater sense of investment and ownership in the artistic process, creating something unique from our combined talents, knowledge, and experience that none of us would have been able to achieve alone.
Learn more about Adam here.
Lizzy Hoyt as Dido and Karen Santos as Belinda in Manitoba Underground Opera's 2019 production of Dido|Aeneas
PHOTO CREDIT: PAUL MCKEEN
Adam Sperry as Idomeneo in Manitoba Underground Opera's 2017 production of Idomeneo at the Canadian Museum for Human Rights
PHOTO CREDIT: PAUL MCKEEN
Elena Razlog as Ulrica in Opera Mariposa & Heroic Opera's 2017 production of Un ballo in maschera
PHOTO CREDIT: DIAMOND’S EDGE PHOTOGRAPHY
Karen Santos as Belinda in Manitoba Underground Opera's 2019 production of Dido|Aeneas
PHOTO CREDIT: PAUL MCKEEN
Tony Bittar as Tenor Soloist in Manitoba Underground Opera's August 2017 production of Idomeneo
Photo Credit: Paul McKeen
Lizzy Hoyt as Dido in Manitoba Underground Opera's 2019 production of Dido|Aeneas
PHOTO CREDIT: PAUL MCKEEN
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“Da Ros’s thoughtful stage direction made sure all performers, as well as the chorus moved seamlessly... with the latter ensemble’s musical commentary matched equally by efficient blocking supporting the principals at all times.”
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